The Bar

TheFirstKnight wrote:the pile of cash on the guys head amuses me.

quater wrote:I think the guy wearing the money hat is what makes it amazing. It's just like, what's that guy's deal. You know?

But I also love that picture I just added.

Seeing a personification of America exterminate pesky foreigners as if they're so many cockroaches does have entertainment value

Banouin wrote:

quater wrote:I think the guy wearing the money hat is what makes it amazing. It's just like, what's that guy's deal. You know?

But I also love that picture I just added.

That is the 1st time really seeing that, Rotlf. NIIICE.

quater wrote:

Banouin wrote:

quater wrote:I think the guy wearing the money hat is what makes it amazing. It's just like, what's that guy's deal. You know?

But I also love that picture I just added.

That is the 1st time really seeing that, Rotlf. NIIICE.

What is? The money hat. You blind doof that's the only part I watch.

What's the movie taken?

Banouin wrote:

quater wrote:

Banouin wrote:

quater wrote:I think the guy wearing the money hat is what makes it amazing. It's just like, what's that guy's deal. You know?

But I also love that picture I just added.

That is the 1st time really seeing that, Rotlf. NIIICE.

What is? The money hat. You blind doof that's the only part I watch.

What's the movie taken?

Yeah, I know, but I love it now that I see it. Haha.

Liam Neeson is
an unstoppable force in this adrenaline-fueled thriller from director
Pierre Morel. Bryan (Neeson) has taken early retirement from the CIA in
order to live closer to his teenage daughter, Kim (Maggie Grace).
Bryan's government work kept him away from Kim for much of her
childhood, and he's now trying to make up for lost time. When Kim
announces that she's taking a trip to Paris with her friend Amanda
(Katie Cassidy), Bryan is apprehensive about her traveling on her own.
His worst fear is soon realized, as Kim and Amanda are abducted upon
their arrival in France. Bryan immediately springs into action, using
his well-honed CIA skills to piece together clues from a single,
frantic phone call he received from Kim. He hops a plane to Paris,
determined to rescue his daughter before she falls off the grid
completely. With some help from his old CIA buddies, he tracks down the
kidnappers--an Albanian crime ring known for selling young girls into
the sex trade. He quickly takes matters into his own hands, plowing his
way through Paris's underworld as the clock ticks down and the bullets
fly. His search propels him into the upper echelons of a massive crime
ring, putting him closer and closer to his beloved daughter.
Neeson is known for tackling extremely cerebral roles, so it is
interesting to see him in full-on action-hero mode. In TAKEN he is no
less than a crime-fighting machine--a Bourne/Bond hybrid with a deathly
serious baritone. And while he spends most of the film firing Uzis and
snapping necks, he still manages to deliver a moving performance as an
estranged father fighting for what he loves most in the world. The film
undeniably owes a lot to Neeson's acting chops. He manages to raise
this rather thinly plotted, deeply violent film a bar above your
typical action fare.

quater wrote:How was it?